Skyrim veteran says “there’s not a single day that I’ve even contemplated going back” to Bethesda: “You’re very much a cog in the machine”
Nate Purkeypile just wrapped up his own horror game
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Even after devoting 14 years of his career to Bethesda, Skyrim senior artistNate Purkeypilesays the developer has changed too much for his tastes, and he would never return.
“I can pretty safely say there’s not a single day that I’ve even contemplated going back,” Purkeypile told Bloomberg ina new interview– one of many developers commenting on the freedom and agility that small teams offer in the face of AAA giants. “That scale of production is not necessarily enjoyable for a lot of people. You’re very much a cog in the machine.”
Things got too overwhelming while he worked as a lead artist onStarfield, Bethesda’s intergalactic epic with 1,000 planets and a credits sequence that lasts 45 minutes. To be a part of Starfield, Purkeypile had to attend over 20 meetings a week, Bloomberg reports.
This was a very different Bethesda than the one Purkeypile first joined. While working on Skyrim, Purkeypile’s fellow development team was under 100 people — a record for Bethesda at the time – who still made landmark games like Fallout 3 and Oblivion. Purkeypile has said inother interviewsthat, in comparison, Starfield was made by approximately 500 Bethesda developers.
“I think the best stuff that came out of those games came out of trusting people,” Purkeypile says. “To do that, I think you need a smaller, more intimate team.”
Missing that closeness, Purkeypile abandoned ship in 2021. Since then, he’s scaled down significantly, from Bethesda’s hundreds of developers to just one. As one-man studio Just Purkey Games, Purkeypile recently released “heavy metal horror game"The Axis Unseen. It’s not as massive as Starfield, but few things need to be.
Former Bethesda lead reckons Starfield 2 will be “one hell of a game” because the team “had the tremendous advantage of Oblivion” when making Skyrim.
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Ashley Bardhan is a critic from New York who covers gaming, culture, and other things people like. She previously wrote Inverse’s award-winning Inverse Daily newsletter. Then, as a Kotaku staff writer and Destructoid columnist, she covered horror and women in video games. Her arts writing has appeared in a myriad of other publications, including Pitchfork, Gawker, and Vulture.
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