Alien: Romulus director says his work on 2013’s Evil Dead and Don’t Breathe helped him bring to life the “true horror movie” he’s always wanted to make
Exclusive | Director Fede Álvarez discusses how the new Alien film blends together his previous filmmaking approaches
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SinceAlien: Romulushas been announced, we have been teased that it will return the beloved sci-fi franchise back to its horror roots. And judging by both thefirst reactionsand our very ownAlien: Romulus review, it’s certainly ‘mission complete’.
Set in-between the events of Ridley Scott’s Alien and Aliens, the film follows a group of space scavengers as they encounter some familiar foes on what they believe to be an abandoned space station. As they delve further into the deserted outpost, more and more scares are creeping around each corner, with the film climaxing with an absolutelyunhinged finale.
That’s to be expected though from director Fede Álvarez, whose previous work includes other horror films such as 2013’s Evil Dead and Don’t Breathe. In fact, it’s these movies in particular that he says helped prepare him for tackling Alien: Romulus.
As he explained in an interview with GamesRadar+ and Total Film on the red carpet at the recent UK gala event, whilst Evil Dead and Don’t Breathe are individually different beasts, he blended his approaches to these films to create the “true horror” movie he’s always wanted to make with Alien: Romulus.
Álvarez stated: “I think Alien at its best is a combination of true horror, like really violent horror and intense unbearable suspense. And I think that’s a good way to describe it. Evil Dead is really violent, really in your face and Don’t Breathe is an exercise in suspense, so after those two movies I felt ready to make one of these.”
Alien: Romulus is released in theaters worldwide on August 16. Before you watch the new film, check out our guide to how to watch theAlien movies in orderas well as themovies and shows to watch before Alien: Romulus.
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As Entertainment Editor at GamesRadar, I oversee all the online content for Total Film and SFX magazine. Previously I’ve worked for the BBC, Zavvi, UNILAD, Yahoo, Digital Spy and more.
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